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neal adams

London Comic Mart August 2026

So, on August 16th, I visited the almost-legendary London Comic Mart at the Royal National Hotel for the first time since the autumn of 2008.

Why so long?!

I don’t know. I hadn’t been to London at all since December 2018, when Steve and I had lunch with the late movie director Norman J Warren. Norman was a very nice guy, BTW. But as to the marts… this was something I did go to semi-regularly for a number of years… the habit just lapsed, I suppose.

I met Paul G at Euston around 1pm, All the trains were running a bit late on this particular day. In spite of rumours to the contrary, London seemed about the same as the last time I saw it. The mart venue itself was not greatly changed from 18 years ago—the outdoor seating area was corralled, and I believe that wasn’t the case in ’08 (do I remember wrongly?!), but otherwise no notable changes. I had not done anything the least bit comicsy for so long, I found the mart a little disorientating for a while.

London Comic Mart August 16 2026
Blurry shot of the first room of the mart. Sorry, screwed this up a bit.

Glad to say, most of the mart prices were not unpardonably steep and I picked up a copy of the recent facsimile of the 1978 Superman vs. Muhammad Ali treasury special for £12.50. Strange but true: I have never previously owned a copy of this book, which in spite of the absurd concept happens to carry one of Neal Adams’s best art jobs. This was a good score, I think.
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Neal Adams

Really, really sad to hear about the passing of Neal Adams. I think most of us can agree that he’s a highly significant figure in comics history.

I thought Neal was sure to be around for another 10-15 years, and producing decent art more or less till the day he died. The latter is virtually true—he was working on commissions as recently as ten days ago—but sadly, he had been fighting the effects of a sepsis infection for the past 11 months. That’s a tough battle at any age.

His later work is probably the stuff that will come to mind for some folks, and that’s… well, a small part of the story!! Neal’s art, for the past 30-35 years, has been generally solid and consistent, sometimes quite beautiful, if seldom a match for his peak stuff from the late ’60s through mid-’70s. But, it might be his increasingly eccentric writing that’s gained the most attention in recent years.

Batman: Odyssey, from 2010-11, which ran for 13 issues over two mini-series, had a lot of people scratching their heads. The distinctive and occasionally stunning visuals were a given, but Neal’s writing—barely flirting with conventional structure or internal logic—made the series something of a cult item. His writing only got weirder and more esoteric later on!

Batman Odyssey 7
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Comics: The Dying Craft Of Lettering

I no longer mind being called a Luddite. It might’ve bothered me once. Now, it’s become a lazy catchall slur meant to target anyone who has any kind of reservation about technological ‘progress’—because, after all, progress is an unalloyed good which everyone must believe in like obedient cult members.

I was all for digital tech and online stuff back in the day. And by that, I mean 15+ years ago. Maybe you have to be immersed in something for a while to start seeing the dangers properly. Digital has an insidious tendency to slowly, creepingly replace everything it touches with a digital facsimile. Often as not, the craft or physical actuality it replaces gets killed off completely… or, in cases like, for instance, film being made on film, a few stubborn holdouts will keep the organic original alive (Tarantino, Nolan, etc).
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