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Jack Kirby at Ruby-Spears: Arnold Schwarzenegger?!

As many of you will know, comics legend Jack “King” Kirby worked for the Ruby-Spears animation studio from 1980 to 1987. This commenced with production design for Steve Gerber’s Thundarr the Barbarian (1980-81), after initial design man Alex Toth left the project due to one of his patented disagreements with various people!

As well as generating original ideas such as Thundarr, R-S also dabbled in licensed properties—Kirby had worked on conceptual art for possible comics-related shows involving Thor (1981), Wonder Woman and Hawkman (both 1983), amongst others. None of these went into production, alas. In 1988, just after Kirby left the studio, they did do a quite well-done Superman show, which sadly lasted only 13 episodes, but boasted Marv Wolfman as script editor and Gil Kane as production designer. Kirby may have worked on this if he’d stayed a while longer…

R-S also licensed a series of shows which used real-life celebrity likenesses—Mister T (1983-86), Rambo: The Force of Freedom and Chuck Norris: Karate Kommandos (both 1986). Kirby did indeed draw some production art on all three.

Sad to say, in the last couple of years he worked for R-S, Kirby’s work was in serious decline—several years of struggling with essential tremors had taken a heavy toll on his ability to work, and his art had become quite rudimentary, even crude at times. One reason Gil Kane was brought on board was to develop and refine Kirby’s designs, which frequently were deemed unsuitable at this point… Kane gave the ideas, as he put it himself, a better level of “representational” value.

Anyhow, to get to the point: towards the very end of Kirby’s R-S stint, around 1987, it appears that they were trying to get an idea off the ground involving Arnold Schwarzenegger! It makes sense, after doing Rambo and Chuck Norris—Arnie was one of the biggest action guys of the era. The show never happened, but there’s some interesting Kirby art in support of it to peruse…

Arnold Schwarzenegger 01
Let’s overlook the fact that Jack didn’t know how to spell Schwarzenegger…

What can we gather from this? Arnie is a good guy (natch), and he sports some interesting gadgets—his badge has a “time wheel” powered by his belt, which presumably enables him to teleport across space and time.

More Arnie art below!

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Behind-the-Scenes of Tik & Flea

Tik & Flea is a newspaper-style strip I’m working on, which I’ll be posting on my Patreon page periodically (please consider signing up—even better, joining a paid tier to help support me doing this stuff!), based on the fab adventures of Tikki and Kila. I recently wrote a behind-the-scenes piece about it for an aborted e-zine I was playing around with; I decided to repost it here…

Working on Tik & Flea 1
At work on the second version of the first TIK & FLEA strip!

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About Neil

(Also Known As: Overrated Writers I Hate #1. Maybe.)

I have no idea whether or not the allegations against our beloved, saintly Lord Neil of Gaiman have any validity. It wouldn’t necessarily surprise me, but I’m happy to be on the fence.

However, it’s not the worst time to indulge my view about his character and his work. I believe the two, being more or less inseparable, are best summed up with the word charlatan. I’ve spent 30-odd years being astounded (and quite disappointed) by the amount of praise and gushing idolatry directed at this insufferably smug, annoyingly fey, all-appeasing goon. His work is, without doubt, amongst the most shallow, meaningless, insincere and vacuous ever to be published to significant acclaim.

Neil Gaiman
LOVELY NEIL… having teased every single strand of his pseudo-scruffy hair with tender, loving care, all the more to maximise the gothic, windswept image he’s so carefully manufactured—gorgeous.

Worst of all, his powerful influence upon comics, and indeed the whole of pop culture, hasn’t a single redeeming quality. The influence is gigantic, pernicious, leeringly oppressive. It swept along a whole generation (several generations?) of disenfranchised youth looking for something to buy into (even if it was a big fat nothing)—and an awful lot of insecure, older nerds got swept along too, with the seductive allure of being part of something the “cool kids” approved of. And that was crux of it. Gaiman came up with a marketing strategy. Not a “creative vision”—a posture and an image, a vibe that would sell itself to a particular set of receptive sensibilities vulnerabilities.

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Underrated Artists I Love #2: Herb Trimpe

This has been a long time coming, and, for me, an obvious choice! You can see #1 here.

Ah, Herb Trimpe. Some people actually don’t like Herb’s work—and some people dismiss him simply as a “Jack Kirby Clone”. These people are horribly & completely wrong. I found Herb in the mid-’70s, as a little kid, in UK reprints of his Hulk stories via the weekly Mighty World of Marvel. In spite of initially reading his last name as “tripe” (yeah, yeah, those people above would agree!) (I was just learning to read at the time), I immediately took to his work—and I’ve never changed my mind.

Incidentally: as any real fan knows, Herb’s last name rhymes with shrimpy.

If you’re with me thus far, I’ll assume you agree that Herb Trimpe was an awesome Hulk artist. Here’s Herb’s back cover for Marvel Treasury Edition #5 (1975), which is a fine example of how good a match H & H were…

Marvel Treasury Edition #5 back cover
Someone made him angry…

I still have vivid memories of seeing this book, bearing a striking front cover by John Romita of Hulk charging through a brick wall (see it here), displayed on a newsstand inside the Mander Centre in Wolverhampton, while out shopping with my Aunt Winnie sometime in ’76. The Hulk—the “sympathetic monster” version—had a lot of appeal to me as a Monster Kid and a huge King Kong fan. Anyhow, more about Herb…

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Alan Moore Is Fucking Insane

Alan Moore’s recent interview with IGN is causing the usual kerfuffle & arguments, about which I frankly do not wish to comment… except… EXCEPT… for this one astonishing remark he made…

“Now they’re called ‘graphic novels’, which sounds sophisticated and you can charge a lot more for them. What appealed to me most about comics is no more, and these innocent and inventive and imaginative superhero characters from the Forties, Fifties, Sixties are being recycled to a modern audience as if they were adult fare.”

Alan Moore's Big Head
This man is an absolute loon.

Where do I start?! Firstly, I agree 100% with this statement.

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Underrated Artists I Love #1: Frank Robbins

The first in a series? Also, coming up: Overrated Artists I Hate! 🙂

Frank Robbins. He’s that Invaders guy. He’s that weird artist who drew rubber-limbed, contorted figures with insanely distorted, grimacing faces. Everything he drew looked bizarre & wrong, didn’t it? He wasn’t very good, was he?

No. He was GREAT! I mean, come on, get a load of this…

The Shadow 7 (1974) cover
Cover of THE SHADOW #7 (DC Comics, 1974).

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John Romita, RIP

Thought I’d give a quick mention to John, who passed away aged 93 on June 12th. His death is no tragedy—he had a very long life, well lived—but a sad loss nonetheless, especially as the Silver Age greats of comics are dwindling rapidly now.

John was, of course, the third best Spider-Man artist.

Spider-Man 121 cvr

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THUNDER Agents #7 (1966)

I’ve been reading & re-reading a lot of THUNDER Agents tales of late. By way of hopefully starting a trend of longer reviews, this is my thoughts on the seventh issue…

Out of the first eight issues of THUNDER Agents, #7 definitely stands out as the best to me. Is it, perhaps, also the best issue of the entire 20-issue run? It must be in the running.

THUNDER Agents 7 cvr

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