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London Comic Mart October 2026

Apparently, going to the London mart back in August wasn’t enough for me—so off I went again last Sunday (Oct 11th).

An earlier start this time, so Steve dropped me off at Solihull station around 8.45am. While there I took a selfie on the platform, and in nice, gentle daylight it turned out OK—apart from the horribly greying hair. I really need to put some dye onto this, stat!!

At Solihull Station October 11th 2026

The train to Marylebone was only ten minutes late and I got in just after 11am. Paul was already waiting for me there. I had a quick coffee from Greggs and we had a quick chat, before getting on the tube heading for Euston Square.
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London Comic Mart August 2026

So, on August 16th, I visited the almost-legendary London Comic Mart at the Royal National Hotel for the first time since the autumn of 2008.

Why so long?!

I don’t know. I hadn’t been to London at all since December 2018, when Steve and I had lunch with the late movie director Norman J Warren. Norman was a very nice guy, BTW. But as to the marts… this was something I did go to semi-regularly for a number of years… the habit just lapsed, I suppose.

I met Paul G at Euston around 1pm, All the trains were running a bit late on this particular day. In spite of rumours to the contrary, London seemed about the same as the last time I saw it. The mart venue itself was not greatly changed from 18 years ago—the outdoor seating area was corralled, and I believe that wasn’t the case in ’08 (do I remember wrongly?!), but otherwise no notable changes. I had not done anything the least bit comicsy for so long, I found the mart a little disorientating for a while.

London Comic Mart August 16 2026
Blurry shot of the first room of the mart. Sorry, screwed this up a bit.

Glad to say, most of the mart prices were not unpardonably steep and I picked up a copy of the recent facsimile of the 1978 Superman vs. Muhammad Ali treasury special for £12.50. Strange but true: I have never previously owned a copy of this book, which in spite of the absurd concept happens to carry one of Neal Adams’s best art jobs. This was a good score, I think.
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