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neal adams

Neal Adams

Really, really sad to hear about the passing of Neal Adams. I think most of us can agree that he’s a highly significant figure in comics history.

I thought Neal was sure to be around for another 10-15 years, and producing decent art more or less till the day he died. The latter is virtually true—he was working on commissions as recently as ten days ago—but sadly, he had been fighting the effects of a sepsis infection for the past 11 months. That’s a tough battle at any age.

His later work is probably the stuff that will come to mind for some folks, and that’s… well, a small part of the story!! Neal’s art, for the past 30-35 years, has been generally solid and consistent, sometimes quite beautiful, if seldom a match for his peak stuff from the late ’60s through mid-’70s. But, it might be his increasingly eccentric writing that’s gained the most attention in recent years.

Batman: Odyssey, from 2010-11, which ran for 13 issues over two mini-series, had a lot of people scratching their heads. The distinctive and occasionally stunning visuals were a given, but Neal’s writing—barely flirting with conventional structure or internal logic—made the series something of a cult item. His writing only got weirder and more esoteric later on!

Batman Odyssey 7

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Comics: The Dying Craft Of Lettering

I no longer mind being called a Luddite. It might’ve bothered me once. Now, it’s become a lazy catchall slur meant to target anyone who has any kind of reservation about technological ‘progress’—because, after all, progress is an unalloyed good which everyone must believe in like obedient cult members.

(The concept of progress, and/or something being progressive, is not, semantically or in actuality, a good of any kind—or a bad of any kind. It’s a neutral idea that can/should be assessed on a case-by-case basis. For instance, in the negative, pretty much every terminal disease is ‘progressive’.)

Anyhow. I was all for digital tech and online stuff back in the day. And by that, I mean 15+ years ago. Maybe you have to be immersed in something for a while to start seeing the dangers properly. Digital has an insidious tendency to slowly, creepingly replace everything it touches with a digital facsimile. Often as not, the craft or physical actuality it replaces gets killed off completely… or, in cases like, for instance, film being made on film, a few stubborn holdouts will keep the organic original alive (Tarantino, Nolan, etc).

In comics there are a number of aspects you could mention, but let’s focus on LETTERING. To be blunt, digital lettering requires no craft. It’s a form of typsetting. And to any digital letterers out there, SORRY—BUT NOT SORRY. I accept that there’s skill in it—but there’s no craft.

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