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Jack Kirby Draws Arnold Schwarzenegger

(Images via comiclink.com)

As many of you will know, comics legend Jack Kirby worked for the Ruby-Spears animation studio from 1980 to 1987. This commenced with production design for Steve Gerber’s Thundarr the Barbarian (1980-81), after initial design man Alex Toth left the project.

As well as generating original ideas such as Thundarr, R-S also dabbled in licensed properties—Kirby worked on conceptual art for possible comics-related shows involving Thor (1981), Wonder Woman and Hawkman (both 1983), amongst others. None of these went into production, alas. In 1988, just after Kirby left the studio, they did do a quite well-done Superman show, which sadly lasted only one season, but boasted Marv Wolfman as script editor and Gil Kane as production designer. Kirby may have worked on this if he’d stayed a while longer.

R-S also licensed a series of shows which used real-life celebrity likenesses—Mister T (1983-86), Rambo: The Force of Freedom and Chuck Norris: Karate Kommandos (both 1986). Kirby did indeed draw production art on all three.

Sad to say, in the last couple of years he worked for R-S, Kirby’s work was in serious decline—several years of struggling with essential tremors had taken a heavy toll on his ability to work, and his art had become quite rudimentary, even crude at times. One reason Gil Kane was brought on board was to develop and refine Kirby’s designs, which frequently were deemed unsuitable at this point… Kane gave the ideas, as he put it himself, a better “representational” value.

Towards the end of Kirby’s R-S stint in 1987, it appears that they were trying to get an idea off the ground involving Arnold Schwarzenegger! It makes sense, after doing Rambo and Chuck Norris—Arnie was one of the biggest action guys of the era. The show never happened, but there’s some interesting Kirby art in support of it to peruse…

Jack Kirby Draws Arnold Schwarzenegger
Let’s overlook the fact that Jack didn’t know how to spell Schwarzenegger…

What can we gather from this? Arnie is a good guy (natch), and he sports some interesting gadgets—his badge has a “time wheel” powered by his belt, which presumably enables him to teleport across space and time.

More Arnie art below!
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2024 Viewing (Q1-2)

Just to catch up on what we watched, in terms of mostly old television, during the first half of this year! Previous viewings are here.

The Rockford Files seasons 4-6 (DVD)
Mission: Impossible seasons 1-4 (DVD)
Starsky & Hutch seasons 3-4 (DVD)
Dragnet (1967-70) seasons 1-4 (download)
Kojak season 6 (1989/90) (download)
Maverick seasons 1-2 (download)
The Deputy season 2 (download)
Bat Masterson seasons 2-3 (download)
Jesse Stone movie series (2005-15) (DVD)
Reacher season 2 (download)

I don’t necessarily think these posts are the most interesting to readers… but, it has become a kind of “log” for me anyway. Nonetheless, to try to make it slightly more interesting, a bit of commentary follows…
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Tod Slaughter Take 2

Following up this post… I did a Tod Slaughter commission back in April, and the postal service lost it in transit. So, I started work on a replacement.

Anyhow, shockingly enough, the postal dopes eventually found the original, and sent it back to me! In doing so, they did manage at some point to damage the well-packaged artwork (albeit fairly minimally), just to add extra insult. Cue rant about incompetence and overpriced services.
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About Neil

(Also Known As: Overrated Writers I Hate #1. Maybe.)

I have no idea whether or not the allegations against our beloved, saintly Lord Neil of Gaiman have any validity. It wouldn’t necessarily surprise me, but I’m happy to be on the fence.

However, it’s not the worst time to indulge my view about his character and his work. I believe the two, being more or less inseparable, are best summed up with the word charlatan. I’ve spent 30-odd years being astounded (and quite disappointed) by the amount of praise and gushing idolatry directed at this insufferably smug, annoyingly fey, all-appeasing goon. His work is, without doubt, amongst the most shallow, meaningless, insincere and vacuous ever to be published to significant acclaim.
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Births & Deaths

So, as almost all horror fans know, today is the birthday of both Vincent Price and Christopher Lee… and just yesterday was Peter Cushing’s date of birth, by odd coincidence.

Lee, Price & Cushing, 1982
Christopher Lee, Vincent Price and Peter Cushing—publicity shot from 1982, during the shoot for HOUSE OF THE LONG SHADOWS.

Also, for me, a significant day for losses. On this day back in 2006, we not only lost the legendary cartoonist Alex Toth—my mother also passed away. Has it really been 18 years? Not to me. Time makes no sense these days.

A few pics of mom…
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Underrated Artists I Love #2: Herb Trimpe

This has been a long time coming, and, for me, an obvious choice! You can see #1 here.

Ah, Herb Trimpe. Some people actually don’t like Herb’s work—and some people dismiss him simply as a “Jack Kirby Clone”. These people are horribly & completely wrong. I found Herb in the mid-’70s, as a little kid, in UK reprints of his Hulk stories via the weekly Mighty World of Marvel. In spite of initially reading his last name as “tripe” (yeah, yeah, those people above would agree!) (I was just learning to read at the time), I immediately took to his work—and I’ve never changed my mind.

Incidentally: as any real fan knows, Herb’s last name rhymes with shrimpy.

If you’re with me thus far, I’ll assume you agree that Herb Trimpe was an awesome Hulk artist. Here’s Herb’s back cover for Marvel Treasury Edition #5 (1975), which is a fine example of how good a match H & H were…

Marvel Treasury Edition #5 back cover
Someone made him angry…
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Ranked: David Bowie Albums

So, folks, should this be the first in a series? Ranking albums by a particular artist? What do you think? Maybe I’ll do it again! First up, it had to be BOWIE. Of course. Who else?

So: I’m ranking what I take to be the THIRTY studio albums by David Bowie. Some people might exclude the Tin Machine albums or the Labyrinth soundtrack, but I think they’re significant enough to count as canon. Okay?

Let’s begin with NUMBER THIRTY…

(IOW, the worst Bowie album!)

Never Let Me Down (1987)

30. Never Let Me Down (1987)

The infamous “Phil Collins” period of Bowie, as some fans call it. “Day-in Day-Out” and “Time Will Crawl” are pretty strong singles, but the overwhelming ’80s production and lack of conviction make this undoubtedly his worst album.
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