Well, Triangle is the provisional title, at least… maybe we’ll keep it… anyhow, I finished the first draft of the script last night, small extract below. The film, which should run about 20 minutes, is a neo-noir set in Birmingham and we’re gonna do it in glorious black & white!! It’s quite hard-boiled and the ‘second act’ is more than a little Sin City in tone.
(As a matter of fact, I’ve even toyed with doing it in an old-style 4.3 aspect ratio. What I think we’ll ultimately do here is shoot it safe for both 4.3 and 1.85, so it can be comfortably shown either way.)
More soon, and there’s a project page over at Vamporama Films too, which will be added to in due course…
So we started shooting episode two of Bham Now today—back at Uprawr Studios for Des’s featured artist for January, Thomas Atlas. Here’s a snapshot!
The first episode of Bham Now is live! Great learning curve!! Turned out pretty well, I think, and the next one will be even better!
And as always: subscribe to Bham Now YouTube channel here and Vamporama Films channel here!!
The main shoot for the first ep of Bham Now happened today at the Jam House Birmingham. Here’s a shot of Des & Gary “on set”.
BTW, check out the official Website at brum-now.uk. And again: subscribe to Bham Now YouTube channel here and Vamporama Films channel here.
Aaand today, we did an interview with local horror guys Alan Birch and Al Smith for ep1 of Bham Now! Another teaser follows!!
Today we shot an interview with local singer Rebecca Downes, conducted by Des Tong, for the first episode of Bham Now. Here’s a quick teaser!
So, over at Vamporama Films, we’ve been working on a new online magazine show concept, to be presented by fellow Big Centre TV alumni and local legends, Des Tong and Gary James.
Last Wednesday (Oct 2nd), we shot a promo video for same, which you can view below… and please, go subscribe to the new channel here, and while you’re at it sub to the Vamporama Films channel here, too! Thanks.
I do have a few more recent art posts to get through, but I haven’t done much in the last month—partly because I’ve been focusing on developing film projects, a consequence of which being that my drawing activity has gone into one of its lulls.
Like the Chris Chibnall caricature, this also is for a possible limited animation idea… unlike the Chibnall, I don’t think I quite pulled it off, so we’ll file this under “Nice First Try, But TRY AGAIN”…
Although this dates from last December, I had been meaning to post it. It’s a portrait of Peter Cushing as he appears in one the later Hammer Frankenstein movies. (I’m not even sure which one, offhand—anyone?)
EDIT: It’s from Dracula AD 1972. Thanks, Henry. Why didn’t I know that? I used a photo ref without looking up the source is why!!
Anyhow—was really difficult to get a nice looking scan as I don’t think the piece is entirely successful… the mixing of media—black ink, gray markers, pencil—is a bit awkward, plus some of the black areas were done with a cheap marker and aren’t at all solid (thank you, Gil Kane!). I also tried something a little more abstract in the shadowing and rendering. I think it’s an interesting experiment but doesn’t quite hit the mark.
That said, some people disagree with me and think it works quite well! Oh, it’s FOR SALE, too! Open to offers. It’s on a sheet of A3 card.
A Deal With Death is a short film that homages the old Amicus anthology flicks. I posted a character sketch for it some months ago. Anyhow, for various reasons (main one being a key cast member who we didn’t want to lose having some health difficulties), it’s been on hold for a while—hopefully not for much longer.
Here’s a page from the script.
As Vamporama Films starts to gear up for some new projects & activity, I wanted to revisit last year’s creepy short, Monsters.
The finished film is basically a monologue—performed brilliantly by Liam Woon!—but originally we were going to add some filmed inserts. Here we have my storyboards for some of those inserts.
Well, seeing as how a rather diminutive version of the Great One has appeared in some of my art (such as the previous post!)—I thought I ought to try and do a pic of Cthulhu where he looks a bit more awesome… a bit more like he might just be standing 200 feet high!
So, I’m posting the finished drawing followed by the original sketch… because while the finished piece may be a little more polished, somehow the sketch has more energy, so they’re both kinda interesting, no?
Mixed feelings aside, that is—one person, seeing a preview of this a while ago, said that the big guy was reminding him somewhat of John Pienaar! THANK YOU! I can’t see anything else now. What the hey.
Well, in theory… as the comic is more or less an imaginary one!
In fact, this image is a reprise of a piece from 2016—seen here with tones and here in colour—featuring Jenni & Marie (and friend). Although only three years old, I recently did a new version… because, it ain’t bad but it coulda been better.
Anyhow, compare away! I probably will colour it, but I don’t think I shall bother with tones; it was something I was experimenting with fleetingly back in ’16 (a kind of electronic version of the old Duo-Shade paper they no longer make)—and I think it also masked some of the finishing deficiencies, which hopefully are rectified in this new version.
To those who don’t know, Chris Chibnall is the most recent showrunner for Doctor Who. This fact may not be accurate for much longer. It’s fair to say that he’s been a little controversial; some might say (very poor), but I couldn’t possibly comment.
Anyhow, this drawing was done last December and was for a vaguely Gilliamesque animation project, hence it was done in pieces. The project’s been on hold, BTW, but maybe we’ll have a finished video soon. It’s only a silly bit of fun, though.
So what we have here are the original inks/pencils, sans arms, followed by the full figure in colour—and finally, a detail of the head with the addition of more hair. You see, Chris used his immense fortune to purchase lovely, sparkly new hair piece/weave/plugs that fools approximately nobody…
In the Gilliam vein, I obviously wanted to make him into a real grotesque—maybe slightly to the detriment of his likeness, as he’s fairly bland-looking, really. Still, I think it achieved what I wanted quite well.
I was working on the art for some new Club Vamporama pages—an initial run of five, followed by a bunch more. Some of this stuff has been scripted for quite a while, and in fact what would be page five of this sequence was originally started and abandoned back in February 2013! (New version will be all-new, I stress. BTW, the four pages leading up to it, including the two below, are newer scripts anyway.)
Anyhow, the complete strip may or may not be finished at some point, so this might be all you get for the foreseeable, I’m afraid…
Incidentally, these are the first two complete pages that use my new font. Let me know what you think, but be gentle!! 🙂